Compositions

Catalogue of works

Updated links and information will be uploaded in winter 2025-26.


Orchestra

Eardstapa (2025-26) string orchestra and soprano

Expansion of the original work for soprano and string quartet into a 5-movement setting of The Wanderer from The Exeter Book, a 10th C codex of poetry.

l’espace entre nous (2016) orchestra

The Modest Orchestra; conducted by Kirsten Milenko. Verbrugghen Hall, the Sydney Conservatorium of Music.

Night is worn (2019) chamber orchestra with two voices

Pulsar Festival, Copenhagen; conducted by Jean Thorel with soloists Emma Ilona Mustaniemi and Stephen George Yeseta.

Traho (2021) orchestra with voices

Lucerne Festival Contemporary Orchestra with conductor Lin Liao - Roche Young Commissions 2019, Lucerne Festival.

Wind Symphony

Symphony d’aere (2017-19) wind symphony with solo violin

Verbrugghen Hall, the Sydney Conservatorium of Music - SCM Wind Symphony; conducted by John P. Lynch with soloist Annabelle Swainston / WASBE Conference in Buñol, Spain - SCM Wind Symphony conducted by John P. Lynch with soloist Anna Da Silva Chen.

Opera & Ballet

Dalloway (2020) opera

Pulsar Festival, Copenhagen - with soprano Johanna Maria Nylund as Mrs Dalloway; dancer Jessica Lyall as Mrs Dalloway’s Shadow; dancers Stefanos Bizas and Ruth Rebekka Hansen as Abstractions; musicians of DKDM; conducted by Jean Thorel.

Works for Stage

Archetype (2023) duo for dancer and light

Developed with dancer Kaya Kołodziejczyk during the Cursus Program on Composition and Computer Music 2022-23.

De-Voir (2017) dance-theatre for piano and pas de trois

Piano, performed by Kirsten Milenko; with three dancers: Winnie Dias, Nicolas Glässman, Florian Pohl. Hamburg Staatsoper. Choreography by Hayley Page for the Hamburg Ballet’s Jungen Choreograf:innen. Opera Stabile, Hamburg.

Loops (2021) contralto, tenor, violin, violoncello, harp, percussion

‘Paroles et musique’ - workshopped and performed by artists from the Opéra Orchestre National Montpellier in collaboration with Rennik-Jan Neggers and Franciska Éry.

The Wolf’s Mouth (2021) contralto, tenor, percussion, violoncello

‘Paroles et musique’ - workshopped by artists from the Opéra Orchestre National Montpellier in collaboration with Mathilda du Tillieul McNicol and Ewa Rucinska.

Tempête (2023) - soprano and electronics

Composition for soprano Béatrice de Larragoïti. Premiered 21st September 2023 at IRCAM, Paris.

Song Cycle

The Audacity (2025-26) song cycle for soprano and piano / soprano and piano quintet

Béatrice de Larragoïti. Premieres autumn 2026.

Choir & Vocal Ensemble

Speak (2018-19) 18-part vocal ensemble

DR VokalEnsemblet (Danish National Vocal Ensemble) - Pulsar Festival, Copenhagen.

Chamber Ensemble (large: 8+)

Opia (2018) 1.1.1.1. 1.0.0.0. perc. strings

Esbjerg Ensemble conducted by Rei Munakata.

Skin Deep (2021) 1(afl).1.1(Acl).1. 1.1.1.0. 2perc. strings

Athelas Sinfonietta Copenhagen - KLANG Festival, Copenhagen.

Chamber Ensemble (medium: 3-7)

Altértité (2019) trio for violin and two percussionists [2 vibraphones, 5 gongs, bass drum, cymbals]

Festival Nowa Muzyka 2019; Sutt Family; Bydgoszcz, Poland.

Duets (2019) string quartet and trumpet

Gildas Quartet and Lucy Humphris - Dartington Hall; Totnes, England.

Eardstapa (2019) soprano and string quartet

Louise Mcclelland Jacobsen and Novo Quartet - Pulsar Festival, Copenhagen.

Hyphae (2024) quintet for flute, clarinets, saxophones, piano, percussion

Ensemble Offspring - Utzon Room, Sydney Opera House.

Light Movements (2016) baroque recorder quartet [2x tenor, bass, great bass]

Vivid Sydney; Judgement of Paris Quartet.

Lys (2018) quintet for flute, clarinet, piano, percussion, violin

Ensemble Offspring; Glebe Town Hall, Hatched Academy.

O (2016) trio for bass flute, bass clarinet, prepared piano

E-Mex Ensemble; Pałac Radziejowice, Poland.

Organum (2017) trio for viola, violoncello, electric guitar

24-hour concert curated by Lucy Yao for Kulturnatten, Copenhagen.

Pastiche (2019-21) quartet for percussion, piano, violoncello, electric guitar

Ensemble K!ART, Copenhagen.

Quoram (2016) bass clarinet, double bass, piano, electronics

Max Miller Boch, Jacques Emery, Kirsten Milenko - Sydney Conservatorium of Music.

Sleepless (2018) Chinese flutes, yangqin, pipa, erhu, cello, piano

Students of DKDM, conducted by Kirsten Milenko - Pulsar Festival, Copenhagen.

Solace (2020) Piano Trio n.1

Trio Ismena; broadcast on DRP2 / Canberra Symphony Orchestra (CSO) Chamber Ensemble.

Tapestries (2020) sextet for clarinet, piano, electric guitar, violoncello, double bass, percussion

Bang on a Can All-Stars - Pulsar Festival, Copenhagen.

Wachtraum (2015) String Quartet n.1

Verbrugghen Hall, Sydney Conservatorium of Music.

We Are Strangers (2020) quintet for violin, viola, violoncello, contrabass, bass viol

Ensemble MusikFabrik with Eva Reiter; Académie Voix Nouvelles, France.

Solo & Duo

ad forestum (2017) classical guitar with electronics

Dennis Van Rooyen - Recital Hall West, Sydney Conservatorium of Music.

Canthus (2018) guitar duo

Scandinavian Guitar Duo - Pulsar Festival, Copenhagen.

d’or (2019) violoncello with electronics

Toke Møldrup, SMK - Statens Museum for Kunst, Copenhagen.

Dawn / à l'aube (2016) classical guitar

Matt Withers - National Arboretum, Canberra.

Dust (2016) prepared piano

Kirsten Milenko - Sa Taronja Associació Cultural, Mallorca.

Ex Aere (2017) electroacoustic concert work for soprano and double bass

Sylvie Woods and Jacques Emery, City Recital Hall, Sydney.

Hearsay (2025) solo accordion

New work for Krešimir Lulić.

Helix (2025) percussion, electronics, light

PhD project for percussionist Bartłomiej Sutt. Premiered at Warsaw Autumn 2025, Poland.

Jeu (2025) solo trumpet in C

New work for Lucy Humphris - a choose your own adventure score.

Lapse (2021) violin, violoncello

The ANAM Set - Rachael Kwa and Hamish Jamieson.

Lux Aeterna (2019) percussion [vibraphone with electronics of light and sound]

Bartłomiej Sutt with fixed electronics and a surrounding installation of light.

Mourning Song (2014) flutes, cello

University of New South Wales - Regan Mooney and Cody Shanahan.

Orbis (2016) violoncello with electronics

Recital Hall West, the Sydney Conservatorium of Music - James Morley.

Relic (2025) solo soprano saxophone with live electronics

Tempo Rubato, Melbourne, Australia - Joshua Hyde.

Somniare (2017) bass clarinet and accordion

The Austriackie Forum Kultury, Warsaw - Ensemblage, Dziołak / Stankiewicz Duo.

Vol (2018) soprano saxophone, piano

Pałac Łazienkowski, Warszawa - Andrzej Karałow and Pablo Sánchez-Escariche Gasch.

We Are Only Breathing (2018) percussion [marimba, 10x Thai bao gongs]

Pulsar Festival, Copenhagen - Kalle Hakosalo.

Film & Installation

Caeli (2018) voice and light: Kablys, Vilnius, in tandem with NORD+MIX Workshop and the Lithuanian Academy of Music and Theatre

Dislocation (2015): film score for animation artist Harrison Flemming

Enouement (2018) field recordings of forest and cityscapes, the Royal Danish Academy of Music

Flowers (2020): film score for dancer and choreographer Manu Sheen

Poetics (2018) installation at the Charlottenborg Palace, Copenhagen, for Pulsar Festival

Sensibilité (2019) installation work with morse code at the Royal Danish Academy of Music for Pulsar Festival

Snowline (2016) field recordings of snow, the Royal Danish Academy of Music

Orchestration & Arrangement

SØS Gunver Ryberg: 3 Orchestral Portraits

Commissioned by the Aarhus Symphony Orchestra and SPOT Festival, Supported by Statens Kunstfond. Orchestral remixes of two pre-existing works by SØS Gunver Ryberg were made for Magnetic Force and Earth Pressure Balance. A newly composed piece COEXISTENCE was transcribed and orchestrated for the composer who performed live electronics with the orchestra.

Premiered the 7th May 2022 by the Aarhus Symphony Orchestra with conductor Halldis Rønning:

Orchestra performing on stage with musicians playing various instruments, including violins, a tuba, and electronic equipment, under purple lighting.

Wagner: Tannhäuser Overture

Commissioned by Mizmorim Kammermusik Festival. Premiered 20th January 2023 at Gare du Nord, Basel. The instrumentation briefing was designed to maintain the scale of Wagner’s original orchestration with a smaller instrumentation. 

Here, I set the ensemble to comprise 9 string players (double string quartet with contrabass), 8 brass players (2x horn, 2x trumpet, 2x trombone, tuba), and 1 percussionist. Contemporary orchestration techniques access a full spectrum of colour relative to the original work, while establishing the new setting. 

Discography

Releases

Abstract photo with blurred lights and dark surroundings, likely a night scene with moving camera.

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