Compositions
Catalogue of works
Updated links and information will be uploaded in winter 2025-26.
Orchestra
Eardstapa (2025-26) string orchestra and soprano
Expansion of the original work for soprano and string quartet into a 5-movement setting of The Wanderer from The Exeter Book, a 10th C codex of poetry.
l’espace entre nous (2016) orchestra
The Modest Orchestra; conducted by Kirsten Milenko. Verbrugghen Hall, the Sydney Conservatorium of Music.
Night is worn (2019) chamber orchestra with two voices
Pulsar Festival, Copenhagen; conducted by Jean Thorel with soloists Emma Ilona Mustaniemi and Stephen George Yeseta.
Traho (2021) orchestra with voices
Lucerne Festival Contemporary Orchestra with conductor Lin Liao - Roche Young Commissions 2019, Lucerne Festival.
Wind Symphony
Symphony d’aere (2017-19) wind symphony with solo violin
Verbrugghen Hall, the Sydney Conservatorium of Music - SCM Wind Symphony; conducted by John P. Lynch with soloist Annabelle Swainston / WASBE Conference in Buñol, Spain - SCM Wind Symphony conducted by John P. Lynch with soloist Anna Da Silva Chen.
Opera & Ballet
Dalloway (2020) opera
Pulsar Festival, Copenhagen - with soprano Johanna Maria Nylund as Mrs Dalloway; dancer Jessica Lyall as Mrs Dalloway’s Shadow; dancers Stefanos Bizas and Ruth Rebekka Hansen as Abstractions; musicians of DKDM; conducted by Jean Thorel.
Works for Stage
Archetype (2023) duo for dancer and light
Developed with dancer Kaya Kołodziejczyk during the Cursus Program on Composition and Computer Music 2022-23.
De-Voir (2017) dance-theatre for piano and pas de trois
Piano, performed by Kirsten Milenko; with three dancers: Winnie Dias, Nicolas Glässman, Florian Pohl. Hamburg Staatsoper. Choreography by Hayley Page for the Hamburg Ballet’s Jungen Choreograf:innen. Opera Stabile, Hamburg.
Loops (2021) contralto, tenor, violin, violoncello, harp, percussion
‘Paroles et musique’ - workshopped and performed by artists from the Opéra Orchestre National Montpellier in collaboration with Rennik-Jan Neggers and Franciska Éry.
The Wolf’s Mouth (2021) contralto, tenor, percussion, violoncello
‘Paroles et musique’ - workshopped by artists from the Opéra Orchestre National Montpellier in collaboration with Mathilda du Tillieul McNicol and Ewa Rucinska.
Tempête (2023) - soprano and electronics
Composition for soprano Béatrice de Larragoïti. Premiered 21st September 2023 at IRCAM, Paris.
Song Cycle
The Audacity (2025-26) song cycle for soprano and piano / soprano and piano quintet
Béatrice de Larragoïti. Premieres autumn 2026.
Choir & Vocal Ensemble
Speak (2018-19) 18-part vocal ensemble
DR VokalEnsemblet (Danish National Vocal Ensemble) - Pulsar Festival, Copenhagen.
Chamber Ensemble (large: 8+)
Opia (2018) 1.1.1.1. 1.0.0.0. perc. strings
Esbjerg Ensemble conducted by Rei Munakata.
Skin Deep (2021) 1(afl).1.1(Acl).1. 1.1.1.0. 2perc. strings
Athelas Sinfonietta Copenhagen - KLANG Festival, Copenhagen.
Chamber Ensemble (medium: 3-7)
Altértité (2019) trio for violin and two percussionists [2 vibraphones, 5 gongs, bass drum, cymbals]
Festival Nowa Muzyka 2019; Sutt Family; Bydgoszcz, Poland.
Duets (2019) string quartet and trumpet
Gildas Quartet and Lucy Humphris - Dartington Hall; Totnes, England.
Eardstapa (2019) soprano and string quartet
Louise Mcclelland Jacobsen and Novo Quartet - Pulsar Festival, Copenhagen.
Hyphae (2024) quintet for flute, clarinets, saxophones, piano, percussion
Ensemble Offspring - Utzon Room, Sydney Opera House.
Light Movements (2016) baroque recorder quartet [2x tenor, bass, great bass]
Vivid Sydney; Judgement of Paris Quartet.
Lys (2018) quintet for flute, clarinet, piano, percussion, violin
Ensemble Offspring; Glebe Town Hall, Hatched Academy.
O (2016) trio for bass flute, bass clarinet, prepared piano
E-Mex Ensemble; Pałac Radziejowice, Poland.
Organum (2017) trio for viola, violoncello, electric guitar
24-hour concert curated by Lucy Yao for Kulturnatten, Copenhagen.
Pastiche (2019-21) quartet for percussion, piano, violoncello, electric guitar
Ensemble K!ART, Copenhagen.
Quoram (2016) bass clarinet, double bass, piano, electronics
Max Miller Boch, Jacques Emery, Kirsten Milenko - Sydney Conservatorium of Music.
Sleepless (2018) Chinese flutes, yangqin, pipa, erhu, cello, piano
Students of DKDM, conducted by Kirsten Milenko - Pulsar Festival, Copenhagen.
Solace (2020) Piano Trio n.1
Trio Ismena; broadcast on DRP2 / Canberra Symphony Orchestra (CSO) Chamber Ensemble.
Tapestries (2020) sextet for clarinet, piano, electric guitar, violoncello, double bass, percussion
Bang on a Can All-Stars - Pulsar Festival, Copenhagen.
Wachtraum (2015) String Quartet n.1
Verbrugghen Hall, Sydney Conservatorium of Music.
We Are Strangers (2020) quintet for violin, viola, violoncello, contrabass, bass viol
Ensemble MusikFabrik with Eva Reiter; Académie Voix Nouvelles, France.
Solo & Duo
ad forestum (2017) classical guitar with electronics
Dennis Van Rooyen - Recital Hall West, Sydney Conservatorium of Music.
Canthus (2018) guitar duo
Scandinavian Guitar Duo - Pulsar Festival, Copenhagen.
d’or (2019) violoncello with electronics
Toke Møldrup, SMK - Statens Museum for Kunst, Copenhagen.
Dawn / à l'aube (2016) classical guitar
Matt Withers - National Arboretum, Canberra.
Dust (2016) prepared piano
Kirsten Milenko - Sa Taronja Associació Cultural, Mallorca.
Ex Aere (2017) electroacoustic concert work for soprano and double bass
Sylvie Woods and Jacques Emery, City Recital Hall, Sydney.
Hearsay (2025) solo accordion
New work for Krešimir Lulić.
Helix (2025) percussion, electronics, light
PhD project for percussionist Bartłomiej Sutt. Premiered at Warsaw Autumn 2025, Poland.
Jeu (2025) solo trumpet in C
New work for Lucy Humphris - a choose your own adventure score.
Lapse (2021) violin, violoncello
The ANAM Set - Rachael Kwa and Hamish Jamieson.
Lux Aeterna (2019) percussion [vibraphone with electronics of light and sound]
Bartłomiej Sutt with fixed electronics and a surrounding installation of light.
Mourning Song (2014) flutes, cello
University of New South Wales - Regan Mooney and Cody Shanahan.
Orbis (2016) violoncello with electronics
Recital Hall West, the Sydney Conservatorium of Music - James Morley.
Relic (2025) solo soprano saxophone with live electronics
Tempo Rubato, Melbourne, Australia - Joshua Hyde.
Somniare (2017) bass clarinet and accordion
The Austriackie Forum Kultury, Warsaw - Ensemblage, Dziołak / Stankiewicz Duo.
Vol (2018) soprano saxophone, piano
Pałac Łazienkowski, Warszawa - Andrzej Karałow and Pablo Sánchez-Escariche Gasch.
We Are Only Breathing (2018) percussion [marimba, 10x Thai bao gongs]
Pulsar Festival, Copenhagen - Kalle Hakosalo.
Film & Installation
Caeli (2018) voice and light: Kablys, Vilnius, in tandem with NORD+MIX Workshop and the Lithuanian Academy of Music and Theatre
Dislocation (2015): film score for animation artist Harrison Flemming
Enouement (2018) field recordings of forest and cityscapes, the Royal Danish Academy of Music
Flowers (2020): film score for dancer and choreographer Manu Sheen
Poetics (2018) installation at the Charlottenborg Palace, Copenhagen, for Pulsar Festival
Sensibilité (2019) installation work with morse code at the Royal Danish Academy of Music for Pulsar Festival
Snowline (2016) field recordings of snow, the Royal Danish Academy of Music
Orchestration & Arrangement
SØS Gunver Ryberg: 3 Orchestral Portraits
Commissioned by the Aarhus Symphony Orchestra and SPOT Festival, Supported by Statens Kunstfond. Orchestral remixes of two pre-existing works by SØS Gunver Ryberg were made for Magnetic Force and Earth Pressure Balance. A newly composed piece COEXISTENCE was transcribed and orchestrated for the composer who performed live electronics with the orchestra.
Premiered the 7th May 2022 by the Aarhus Symphony Orchestra with conductor Halldis Rønning:
Wagner: Tannhäuser Overture
Commissioned by Mizmorim Kammermusik Festival. Premiered 20th January 2023 at Gare du Nord, Basel. The instrumentation briefing was designed to maintain the scale of Wagner’s original orchestration with a smaller instrumentation.
Here, I set the ensemble to comprise 9 string players (double string quartet with contrabass), 8 brass players (2x horn, 2x trumpet, 2x trombone, tuba), and 1 percussionist. Contemporary orchestration techniques access a full spectrum of colour relative to the original work, while establishing the new setting.