Posts in Composition||Choreography
De-Voir

De Voir presents an extremely fine and differentiated triad of surprises. We have an intricate triangle, especially since it is not clear whether it is only dreamed… The music, which was specially composed by Kirsten Milenko for this dance – she also plays De Voir herself on the piano – supports the feeling laid impression. It is an inner action, and to what extent it is objectively real, the spectator must decide for himself… The cooperation of music and dance is very much to be praised. And composition is also a part of the choreography.”

– Gisela Sonnenburg, Ballett Journal

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